FRIDAY SEPTEMBER 13, 1991 – SATURDAY OCTOBER 26, 1991
As questions concerning human's relationship with nature took on a surging urgency in the early 1990s, Storefront embarked on a series of ecology-themed exhibitions. Two triangular spaces were created within the gallery space to accommodate Mel Chin’s installation The State of Heaven. At the west end of the gallery, a large hand-knotted carpet floated above the heads of the viewers. Its condition represents the global meteorological conditions. Throughout the course of the exhibition, the rug was destroyed or repaired in response to the condition of the ozone layer. At the eastern part of the gallery, a canopy of suspended monitors play images of dynamic meteorological conditions generated in real time via a fractal program.
ABBYY FineReader 11.0 (Extended OCR)
This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s).